In front of Stella’s print The Fountain sit more than twenty people ready to listen to the lunchtime talk given by Alice Desmond, Curatorial Assistant of the Kenneth Tyler Collection, International Prints, Drawings and Illustrated Books at the National Gallery of Australia.
Desmond explained how Stella artworks developed from a minimalist style print of straight and curved lines to his narrative abstraction works and then to the sculptural refined abstraction pieces like The Fountain.
Star of Persia, 1967 |
Port aux Basques, 1971 |
Talladega five I, 1982 |
Initially Stella was a reluctant print maker but during his 30 year collaboration with Kenneth Tyler and Tyler’s printing workshop Stella was able to develop his prints into a sculptural experiment of multilayered, elaborate compositions.